I Never Gonna Dance Again Clarinet
| "Careless Whisper" | ||||
|---|---|---|---|---|
 UK vii" vinyl release artwork, as well used for various international releases | ||||
| Single by George Michael (most territories)/Wham! featuring George Michael (United states) | ||||
| from the album Get in Big | ||||
| Released | 24 July 1984 | |||
| Studio | Sarm West, London | |||
| Genre |
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| Length |
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| Characterization |
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| Songwriter(s) |
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| Producer(south) |
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| George Michael (most territories)/Wham! featuring George Michael (The states) singles chronology | ||||
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| George Michael (balance of the world) singles chronology | ||||
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| Music video | ||||
| "Careless Whisper" on YouTube | ||||
| Culling embrace | ||||
 Artwork for the US 7" vinyl release credited to Wham! featuring George Michael. | ||||
"Devil-may-care Whisper" is a song by the English language vocaliser George Michael. Information technology was written by Michael and Andrew Ridgeley[iv] of Wham! and was released on 24 July 1984 on the Wham! album Make It Big.
The song features a prominent saxophone riff, and has been covered by a number of artists since its first release. It was released every bit a single and became a huge commercial success effectually the world. It reached number one in near 25 countries, selling about 6 million copies worldwide—two million of them in the U.s..[5]
Background [edit]
Limerick and writing [edit]
In 1981, Michael was working as a DJ in the Bel Air eating place virtually Bushey, Hertfordshire.[6] Michael explained in his autobiography, Bare, that he conceptualised "Devil-may-care Whisper" based on events from his childhood. Michael wrote, "I was on my manner to DJ at the Bel Air when I wrote 'Careless Whisper'. I have ever written on buses, trains and in cars. Information technology always happens on journeys... With 'Careless Whisper' I remember exactly where information technology offset came to me, where I came upward with the sax line... I retrieve I was handing the money over to the guy on the double-decker and I got this line, the sax line... I wrote it totally in my head. I worked on information technology for well-nigh iii months in my head."[7]
"When I was twelve, 13, I used to take to chaperone my sister, who was two years older, to an ice rink at Queensway in London," he explained. "There was a girl there with long blonde hair whose name was Jane. I was a fatty boy in glasses and I had a big crush on her - though I didn't stand a chance. My sister used to go and practise what she wanted when we got to the skating rink and I would spend the afternoon swooning over this girl Jane."[viii]
"A few years later, when I was xvi, I had my offset relationship with a girl called Helen," Michael continued.
It had just started to cool off a bit when I discovered that the blonde girl from Queensway had moved in only around the corner from my schoolhouse. She had moved in correct adjacent to where I used to stand and wait for my side by side-door neighbour, who used to give me a lift home from school. And ane solar day I saw her walk down the path adjacent to me and I idea – now where did SHE come up from? She didn't know it was me. It was a few years later and I looked a lot dissimilar. Then we played a schoolhouse disco with The Executive and she saw me singing and decided she fancied me. By this time she was that much older and a large buxom matter – and eventually I started seeing her. She invited me in ane mean solar day when I was waiting for my elevator and I was ... in sky.[8]
Michael observed that subsequently he stopped wearing spectacles, he began getting invited to parties. "And the girl who didn't even see me when I was twelve invited me in," he noted.
So I went out with her for a couple of months simply I didn't stop seeing Helen. I thought I was being smart – I had gone from beingness a total loser to being a two-timer. And I remember my sisters used to give me a hard time because they found out and they really liked the first girl. The whole idea of "Careless Whisper" was the start girl finding out about the second – which she never did. But I started another relationship with a daughter called Alexis without finishing the one with Jane. It all got a bit complicated. Jane constitute out well-nigh her and got rid of me ... The whole time I thought I was being cool, being this 2-timer, but there really wasn't that much emotion involved. I did feel guilty about the starting time daughter – and I have seen her since – and the thought of the vocal was well-nigh her. "Careless Whisper" was us dancing, because we danced a lot, and the idea was – nosotros are dancing ... simply she knows ... and it's finished.[8]
Andrew Ridgeley came upwards with the chord sequence on his Fender Telecaster he had received for his 18th birthday.[9] They continued to work together on the music and lyric both at Michael'south house in Radlett, and Shirlie Holliman'due south aunt'south basement flat in Peckham, where Ridgeley was living.[9] [x]
Demoing [edit]
The original demo was recorded by local music producer Paul Mex, in January 1982 alongside those for "Lodge Tropicana" and "Wham Rap! (Savor What You Practise)" in the front room of Ridgeley'due south home (his parents' lounge turned into a makeshift studio) with Mex's TEAC 4-rail Portastudio. Because virtually of the day was spent on Wham Rap!... and Ridgeley'southward mother had returned abode by that point, Careless Whisper had to exist recorded in one take very quickly. It featured a Doctor Rhythm drum machine, an acoustic guitar (played by Ridgeley) and a bass guitar (played past Dave Due west), with Michael'southward vocal (recorded with a microphone fastened to a broom handle).[11] [12] The overall price of the recording was £20 (largely due to the rental cost of the Portastudio) and the duo landed a deal with Innervision by Mark Dean on the strength of the demos.[thirteen] [fourteen]
A more than complete and fully realised second demo was recorded on 24 March 1982 at Halligan Band Centre, Holloway, London with a backing band and a saxophone riff.[15] However, on the same mean solar day, Michael and Ridgely were chosen over past Dean to sign a contract in improver to the record bargain, which they did at a nearby greasy spoon café. Michael recalls of that 24-hour interval:
"One of the nigh incredible moments of my life was hearing 'Careless Whisper' demoed properly, with a band, a sax and everything. It was ironic that we signed the contract with Marking [Dean] that solar day, the day I finally believed we had number-one material. That same twenty-four hour period we signed it all away. But you can never really know what you are capable of, you can never really have that foresight."[15]
Production [edit]
The song went through at least ii rounds of production. The kickoff was during a trip Michael made to Sheffield, Alabama, where he went to work with producer Jerry Wexler at Musculus Shoals Audio Studio in 1983.[xvi] [17] Michael was unhappy with the original version produced by Wexler, and decided to re-record and produce the vocal himself; the second version was the i ultimately released as a single.
Subsequently the backing track and George'south song had been recorded, Wexler had booked the top saxophone player from Los Angeles to fly in and do the solo.[18] "He arrived at xi and should accept been gone by twelve", recalled Wham! manager Simon Napier-Bell. "Instead, after ii hours, he was yet there while everyone in the studio shuddered with embarrassment. He simply couldn't play the opening riff the way George wanted information technology, the way it had been on the demo. Only that had been made two years before by a friend of George's who lived circular the corner and played sax for fun in the pub."[18]
While the saxophonist appeared to be playing the function perfectly, Michael told him, "No, it's still not right, you lot come across..." and he would lower his caput to the talkback microphone and patiently hum the function to him nonetheless once more. "It has to twitch upwards a trivial just at that place! See...? And not also much."[18]
Napier-Bong consulted with Wexler over Michael's dispute with the sax audio. "Is there really something George wants that's different from what the sax histrion is playing?" Napier-Bell asked.[18] "Definitely!" replied Wexler.
"I've seen things like this earlier. There's some tiny dash that the sax player is somehow non getting right. Although you and I can't hear what it is, it may be the very matter that volition make the tape a striking. The success of pop records is so ephemeral, so unbelievably unpredictable, we merely can't accept the adventure of being impatient. But this sax player's not going to get it, is he!"[18]
The version Wexler produced was released afterward in the year, as a (4:41) B-side "Special Version" on 12" in the UK and Japan.
The record label Innervision was going to put out the Wexler version of "Careless Whisper" after the Club Fantastic Megamix as early equally 1983. Song publisher Dick Leahy said that while he could not finish the release of the Club Fantastic Megamix, he could stop the release of this single on the basis that every bit a publisher they "have the right to grant the first license of the recording of a tune of which he controls the copyright". He was unable to practice annihilation nigh the Club Fantastic Megamix considering information technology was already released material. He said: "We knew how big that song could exist, so information technology was necessary to upset a few people to stop information technology."[nineteen] Towards the stop of 1983, Michael was besides committed to touring with Wham! to promote Fantastic, then according to him it would not have made sense to release "Careless Whisper" as a solo single in the middle of the tour, despite it beingness part of the setlist.[20]
Michael later went back to London's Sarm Due west'due south Studio ii to re-record the rail, the courage of which was done with a live rhythm section in ane accept, with "loads of stuff bunged on [overdubbed] later" as Michael added, although the experience of it was basically live.[21] [22]
Michael elaborated on the song's product and how it turned out in the stop:
"Jerry Wexler did 1 recording of "Careless Whisper" with me. Then we re-mixed that, which meant re-shooting the video and then nosotros completely re-did the track about four weeks before information technology was due to be released. When we originally fabricated it I was totally in awe of Jerry Wexler and it was the first fourth dimension that I had always felt like that about anybody that I'd worked with. Ordinarily I take trouble convincing myself that people know what they're doing. In this case I had to get drunk in order to sing, I was so nervous. Anyway, my publisher [Dick Leahy] and I had loads of discussions well-nigh whether the tape was good enough for the song and whether at that place was enough of me in it because it merely did not sound like me. I said 'it'southward great. Jerry'due south washed a not bad chore on it', and for the first time since we'd started I was blind to what was going on because the song was already two and a one-half years old and I just did not have a inkling about where else I could take it. Eventually I only thought, 'sod this. I'thousand going to go in and practise it as if information technology had never been washed earlier with the musicians we normally utilize and see what happens.' The track was much better because I was relaxed and I recollect that our musicians did a much better chore than the Muscle Shoals section". [22]
Afterward hiring and firing several other different sax players, for which the BBC characterized as struggling to play all the notes with "the right amount of fluidity and all the same breathe,"[23] Michael eventually heard what he was looking for from Steve Gregory.[24]
During an interview with DJ Danny Dominicus, Gregory said he was the 9th sax player to attempt the riff. Gregory said Michael'south secretary had phoned him upwardly midday and asked him to give the solo a endeavour.[25]
"When I got there, it was well-nigh getting on to midnight, and there was some other saxophone actor in the studio, Ray Warleigh, who I knew quite well, and he said 'what are you doing here?' And George hadn't showed up. And then Ray was a flake fed up. He said 'Well I'm going, yous can practice information technology. I've had enough of waiting.' So he left and it was just myself, and (record producer) Chris Porter. Then I said I've had quite a long twenty-four hours, I'm going to do a amend job at present than I will at 3 o'clock in the morning, so can nosotros endeavour and do something? So we went into the control room and George had already recorded it in LA with Jerry Wexler producing information technology and Tom Scott playing the saxophone line...he said this is what you lot got to do and he played this and I thought 'That is fantastic, why on Earth does he desire to practise it over again? I tin can't play it as well every bit that!' And (Porter) said 'Oh, it'southward a new version, he's done his own production, it's a new track, it's got to be re-washed, he just needs that on the new track,' and so I went in the studio I tried to exercise it and my saxophone is an old Selmer (tenor sax) from virtually 1954 or something and I didn't accept that summit note. I didn't have a proper notation on my saxophone, I had what nosotros phone call a fake fingering I had to do to play it. So it didn't really audio that smooth. It didn't sound that great. And so having been effectually for a while, having had a flake of feel, I suggested to him, I said, 'expect, if you took it down by a semitone, a very small-scale amount, I'd have all the proper notes on my horn and we could see how it sounds. So that's what he did, he sort of did his calculations and took it down a semitone, so I went out over again and I played it in a lower key and when later I finished it I went dorsum into the control room and he played it back and he put it back up to the proper speed, and as he was playing it dorsum, George walked into the studio, and he said 'Oh, I call back nosotros got it!' And so he pointed at me and said, 'You are number 9!'"
The officially released unmarried was issued in August 1984, inbound the UK Singles Chart at number 12. Within two weeks it was at number ane, ending a ix-week run at the top for "Two Tribes" past Frankie Goes to Hollywood.[4] It stayed at number one for iii weeks, going on to get the fifth acknowledged single of 1984 in the United Kingdom; outsold only by the two Frankie Goes to Hollywood tracks, "Two Tribes" and "Relax", Stevie Wonder with "I But Called to Say I Love Yous", and Band Aid'southward "Practice They Know It'southward Christmas?". The song also topped the charts in 25 other countries, including the Billboard Hot 100 in the United States in February 1985 under the credit "Wham! featuring George Michael". Spending iii weeks at the superlative in America, the song was afterward named Billboard 's number-1 song of 1985. The vocal was #1 on the smooth radio top 500 songs of all time chart – proving its iconic status.
Despite the success, Michael was never fond of the song. He said in 1991 that it "was non an integral part of my emotional development ... it disappoints me that yous can write a lyric very flippantly—and non a specially good lyric—and it tin can hateful so much to and then many people. That's disillusioning for a writer."[nineteen]
Music video [edit]
The official music video (which uses the shorter unmarried version instead of the full album version and was directed by Duncan Gibbins, who previously directed "Wake Me Upwardly Earlier Y'all Go-Go") shows the guilt felt by a man (portrayed by Michael) over an affair, and his acknowledgement that his partner (Lisa Stahl) is going to observe out. Madeline Andrews-Hodge plays the adult female who lures George away. It was filmed on location in Miami, Florida, in February 1984[26] and features such locales every bit Kokosnoot Grove and Watson Island. The final role of the video shows Michael leaning out of a meridian flooring balcony of Miami's Grove Towers.[27] [28]
A first original version of the video was edited with the Jerry Wexler 1983 version, and featured Andrew as a cameo, handing over a alphabetic character to a dark-haired George. This version had a more than detailed storyline, but was then re-edited later.[29]
Co-ordinate to producer Jon Roseman, production of the video was "A fucking disaster".[30] According to Michael'south co-star Lisa Stahl, "They lost footage of our kissing scene so nosotros had to reshoot it, which I didn't mutter about ... And so George decided he didn't like his hair so he flew his sis over from England to cut it and we had to reshoot more scenes."[31]
As the band felt they had "screwed up" the video, farther footage of Michael singing the song onstage was later shot at the Lyceum Theatre, London.[30] The video operation (1984 Version) was officially uploaded to George Michael YouTube channel on 24 October 2009. It has over 852 million views as of 2022.
Track listing [edit]
All tracks are written by George Michael and Andrew Ridgeley.
| No. | Title | Length |
|---|---|---|
| ane. | "Careless Whisper" (Single Edit) | 5:04 |
| 2. | "Careless Whisper" (Instrumental) | v:02 |
| No. | Championship | Length |
|---|---|---|
| 1. | "Careless Whisper" (Extended Mix) | half-dozen:31 |
| 2. | "Careless Whisper" (Instrumental) | 5:02 |
| No. | Title | Length |
|---|---|---|
| 1. | "Careless Whisper" (Extended Mix) | six:twenty |
| 2. | "Careless Whisper" (Instrumental) | four:52 |
| No. | Title | Length |
|---|---|---|
| 1. | "Careless Whisper" | 4:50 |
| two. | "Devil-may-care Whisper" | 4:l |
| No. | Championship | Length |
|---|---|---|
| 1. | "Careless Whisper" (Extended Mix) | six:31 |
| ii. | "Careless Whisper" (Jerry Wexler Special Version) | five:34 |
| iii. | "Careless Whisper" (Condensed Instrumental Version) | 4:52 |
- Note: The Extended Mix is identical to the anthology version from Brand It Big.
Credits and personnel [edit]
- George Michael – atomic number 82 and bankroll vocals
- Andrew Ridgeley – acoustic guitar (uncredited)
- Steve Gregory – saxophone
- Deon Estus – bass
- Trevor Murrell – drums[nb 1]
- Chris Parren – keyboards
- Anne Dudley – keyboards [33]
- Hugh Burns – electrical guitar
- Danny Cummings – percussion
Credits adjusted from the Extended Mix'southward liner notes.[34]
Charts [edit]
Certifications [edit]
Cover versions [edit]
"Careless Whisper" has been covered by many other artists. Amongst the almost significant versions are:
- Sarah Washington on a trip the light fantastic toe version that peaked at number 45 on the United kingdom Singles Chart (1993).[93]
- 2Play produced a embrace version in 2004. It charted at number 29 in the United kingdom.[94]
- Kamasi Washington and El Debarge performed it to pay tribute to George Michael at the 2017 BET Awards.[95]
- South African alternative rock ring Seether covered the song on their 2007 album Finding Beauty in Negative Spaces. It charted at number 63 in the US.[96]
- Dutch rapper Lil' Kleine sampled the chorus for his song, titled "Dansen", on his most recent album Ibiza Stories.[97]
- Saxophonist Dave Koz recorded a cover version for his 1999 album The Dance, featuring Montell Jordan on lead vocals; in 2000 the song peaked at number thirty on Billboard's adult contemporary chart.[98]
Come across also [edit]
- List of best-selling singles in the Uk
- List of number-one singles in Australia during the 1980s
- Listing of Dutch Height 40 number-1 singles of 1984
- List of number-one singles of 1984 (Ireland)
- List of number-one hits of 1984 (Switzerland)
- Listing of number-1 singles from the 1980s (UK)
- List of RPM number-ane singles of 1985
- Listing of Hot 100 number-i singles of 1985 (U.S.)
- List of number-i adult contemporary singles of 1985 (U.S.)
Notes [edit]
- ^ The proper noun of Wham!'southward drummer was Trevor Murrell.[32] He is listed on the liner notes as Trevor Morrell.
References [edit]
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- ^ "Dutch single certifications – George Michael – Careless Whisper" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 27 June 2012. Enter Devil-may-care Whisper in the "Artiest of titel" box.
- ^ Tenente, Fernando (two March 1985). "Fourth-Quarter Upturn in Portugal" (PDF). Billboard. p. 71. Retrieved 14 Feb 2022 – via World Radio History.
- ^ "George Michael on the charts". Music Calendar week. Intent Media. 11 January 2017. Retrieved 12 January 2017.
- ^ "British unmarried certifications – George Michael – Careless Whisper". British Phonographic Industry.
- ^ "American single certifications – Wham – Devil-may-care Whisper". Recording Industry Association of America.
- ^ "Official Charts Company – Sarah Washington". archive.is. nineteen January 2013. Retrieved 4 October 2017.
- ^ "OFFICIAL SINGLES CHART RESULTS MATCHING: CARELESS WHISPER". Official Charts . Retrieved eight March 2019.
- ^ Breihan, Tom (26 June 2017). "Watch Kamasi Washington & El DeBarge Cover George Michael At The BET Awards". Stereogum . Retrieved 11 July 2017.
- ^ "Seether". Billboard . Retrieved 24 April 2021.
- ^ "These samples are on Lil Kleine's new anthology". Errday. 28 January 2022.
- ^ "Careless Whisper (Song past Dave Koz) ••• Music VF, US & UK hits charts".
External links [edit]
- Careless Whisper sheet music PDF
Source: https://en.wikipedia.org/wiki/Careless_Whisper
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